Northern Arts Hotel & The Coolroom

A boutique hotel and place for those interested in the arts…
The Northern Arts Hotel on Djarra Country, in Castlemaine, central Victoria (formerly the New Northern) was created as a retreat, a place of warmth and welcome that offers much more than just a room. In August 2020, this beautifully restored establishment was purchased by Maggie Fooke, former owner of the iconic Brooklyn Arts Hotel in Fitzroy.

Maggie brings her quirky style and flair to this grand dame, creating an oasis – one of those places you’ll be glad you found, perfect for those interested in the arts. The Northern Arts Hotel is a place where people come together for shared experiences and stimulating conversations.

What was once a country pub is now a beautiful guesthouse featuring nine rooms, the result of a restoration in 2012 by furniture maker, Nicholas Dattner. Rooms are all located upstairs and are not accessible to wheelchairs. The Northern Arts Hotel provides an honest, uncomplicated and comfortable stay where guests can kick back and relax – a real home away from home.
“If you’re travelling through Castlemaine any time and need a most authentic and quirky stay @northernartshotel, I may just retire there one day and take up smoking and play the drums.”Kate Ceberano, 14 March 2024

A Recent article from TimeOut Melbourne magazine said ‘Castlemaine has long been celebrated for its commitment to the arts, and the Northern Arts Hotel is no exception. While rooms here are warm, charming and steeped in history, it’s the atmosphere that made us fall in love with this hotel.’

The property also features The Coolroom – hosted by Frank Veldze, and Manager Alan Joyce – a place for jazz and other musical performances in a quiet room atmosphere along with other salon-style events.

A recent audience member recently said; ‘warm, welcoming space with great decor reflective of the sophisticated, eclectic tastes of the proprietors. Next, it is the sort of people they attract—the kind of people who pursue the Muse rather than the moolah—and those who support them.’ Cheryl Jorgenson.